An upcoming exhibition at the Morgan Library in New York of Jean de Brunhoff’s working drafts and watercolors for Histoire de Babar, le petit éléphant (1931) has reignited a controversy over the meaning of the Babar books, said by some critics to represent European colonialism. Writer Adam Gopnik analyzes the series and concludes: “Far more than an allegory of colonialism, the Babar books are a fable of the difficulties of a bourgeois life.”
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